Every time their mouths moved together, we were reminded of the binding properties of the downbeat, rhythm and rhyme. As both Medina and Grant nodded and moved in step, the audience witnessed the shared experience of Black people and hip-hop. He easily brought the crowd to a stillness and silence that evoked tears until the beat came in. Renowned for his role as Arnold Jackson, aka “Poet,” on the HBO hit show “Oz,” his talent was evident as he depicted tragic gang violence and the death of his father. Hip-hop was the lover and friend that never left his side and provided Grant a reflection with which to gaze deeper into his own truths and reality. Hip-hop provided Grant shelter and healed him as he walked the streets of New York, searching for the mic and a spotlight. He drove the room to laughter when he shared the origin of “muMs,” broke into the dance moves of our youth, recreated his first teen rap battle and took us to the moment when Sean “Puffy” Combs listened to the music of “Uncontrolled Substance,” Grant’s first rap group. The man, mic and music had them all mesmerized until they responded to Grant’s call, in time, “Aiiight.”
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The collective head nod of the audience was hypnotic.
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Medina’s music selections helped tell the story and placed us in time. His candor and confidence endeared all as he shared the struggles of his hazy college years, his relationship with his father and the realities of his current role of caretaker for his dear mother. He is a storyteller, and his pace on stage is deliberate. Together, Koons, Grant and Medina spun a spell and fully transported the Labyrinth Theater audience to the time of the birth of hip-hop and the “burning Bronx,” the music and setting of Grant’s youth.Īn internationally lauded poet, Grant has performed at over 200 cafes, colleges and universities around the globe. Medina produced a soundtrack that complimented Craig’s life story while adding tone and texture onstage. The lyrics and backbeat of hip-hop, his life’s soundtrack, came along for the ride and heightened our experience. He walked us through the schoolyards of his adolescence, where he lived amid the drugs and gangs of the ‘70s and ‘80s. Using slam poetry, the characters of his life and hip-hop, he reminisces about his life, journeying from his early childhood to the present day. It is about the psyche and dilemma of a writer torn apart between art and erotica.It is with his own personal declaration of fear that Craig “muMs” Grant grabs our attention during his performance of “A Sucker Emcee,” directed by Jenny Koons and with music by Rich Medina. However, the promotions have not been conducted successfully so far, it may lack the audience it deserves.ĭirector Akhilesh Jaiswal bares the hypocrisies of a society that shames, silences and devours sex.
#Mastram 2014 story movie#
Third Day Box Office Collection of Mastramįirst 2 days gave it 1 crore approx. Expected 3rd day collection somewhere near 1.3 crores. Total 1st weekend collection is 2.3 crores. The movie gained a good critics as well as audience response due to the struggle between art and erotica. The film has a lot of potential but what missing is the ‘woh waali baat’.
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Rahul’s performance warms up the start, but his expressions soon get repetitive, and Tara can’t juice the plot that runs dry.
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The story lacks stamina, and the background music drags the plot. The problem is with the story telling that is languid and uninventive for a subject so explorative. What happens when the cover is pulled off and his identity and he are exposed as the man who sells sexual fantasies for a living? His lurid stories become the best-seller. The struggling Premchand in him begins churning out porn-packed paperbacks, under the pseudonym of ‘Mastram’. Even after desperate attempts, all publishers reject his literary works just because his stories lack the ‘meat’ or ‘masala’, which the readers demands. Only his wife Tara-Alisha Berry supports him. Rajaram (Rahul Bagga), an MA in Hindi quits his job at the bank in Manali to pursue his dream of being a novelist. He becomes the hottest name in pornographic pulp fiction. Mastram is a fictional biography of a writer who craves to exploit his literary skills, but ends up with creative writing for carnal consumption only.